An Informal History of the Hugos

by Jo Walton

Cover image

Publisher: Tor
Copyright: August 2018
ISBN: 1-4668-6573-3
Format: Kindle
Pages: 564

Buy at Powell's Books

An Informal History of the Hugos is another collection of Jo Walton's Tor.com posts. As with What Makes This Book So Great, these are blog posts that are still available for free on-line. Unlike that collection, this series happened after Tor.com got better at tags, so it's much easier to find. Whether to buy it therefore depends on whether having it in convenient book form is worth it to you.

Walton's previous collection was a somewhat random assortment of reviews of whatever book she felt like reviewing. As you may guess from the title, this one is more structured. She starts at the first year that the Hugo Awards were given out (1953) and discusses the winners for each year up through 2000. Nearly all of that discussion is about the best novel Hugo, a survey of other good books for that year, and, when other awards (Nebula, Locus, etc.) start up, comparing them to the winners and nominees of other awards. One of the goals of each discussion is to decide whether the Hugo nominees did a good job of capturing the best books of the year and the general feel of the genre at that time.

There are a lot of pages in this book, but that's partly because there's a lot of filler. Each post includes all of the winners and (once a nomination system starts) nominees in every Hugo category. Walton offers an in-depth discussion of the novel in every year, and an in-depth discussion of the John W. Campbell Award for Best New Writer (technically not a Hugo but awarded with them and voted on in the same way) once those start. Everything else gets a few sentences at most, so it's mostly just lists, all of which you can readily find elsewhere if you cared. Personally, I would have omitted categories without commentary when this was edited into book form.

Two other things are included in this book. Most helpfully, Walton's Tor.com reviews of novels in the shortlist are included after the discussion of that year. If you like Walton's reviews, this is great for all the reasons that What Makes This Book So Great was so much fun. Walton has a way of talking about books with infectious enthusiasm, brief but insightful technical analysis, and a great deal of genre context without belaboring any one point. They're concise and readable and never outlast my attention span, and I wish I could write reviews half as well.

The other inclusion is a selection of the comments from the original blog posts. When these posts originally ran, they turned into a community discussion of the corresponding year of SF, and Tor included a selection of those comments in the book. Full disclosure: one of those comments is mine, about the way that cyberpunk latched on to some incorrect ideas of how computers work and made them genre conventions to such a degree that most cyberpunk takes place in a parallel universe with very different computer technology. (I suppose that technically makes me a published author to the tune of a couple of pages.) While I still largely agree with the comment, I blamed Neuromancer for this at the time, and embarrassingly discovered when re-reading it that I had been unfair. This is why one should never express opinions in public where someone might record them.

Anyway, there is a general selection of comments from random people, but the vast majority of the comments are discussions of the year's short fiction by Rich Horton and Gardner Dozois. I understand why this was included; Walton doesn't talk about the short fiction, Dozois was a legendary SF short fiction editor and multiple Hugo winner, and both Horton and Dozois reviewed short fiction for Locus. But they don't attempt reviews. For nearly all stories under discussion, unless you recognized the title, you would have no idea even what sub-genre it was in. It's just a sequence of assertions about which title or author was better.

Given that there are (in most years) three short fiction categories to the one novel category and both Horton and Dozois write about each category, I suspect there are more words in this book from Horton and Dozois than Walton. That's a problem when those comments turn into tedious catalogs.

Reviewing short fiction, particularly short stories, is inherently difficult. I've tried to do a lot of that myself, and it's tricky to find something useful to say that doesn't spoil the story. And to be fair to Horton and Dozois, they weren't being paid to write reviews; they were just commenting on blog posts as part of a community conversation, and I doubt anyone thought this would turn into a book. But when read as a book, their inclusion in this form wasn't my favorite editorial decision.

This is therefore a collection of Walton's commentary on the selections for best novel and best new writer alongside a whole lot of boring lists. In theory, the padding shouldn't matter; one can skip over it and just read Walton's parts, and that's still lots of material. But Walton's discussion of the best novels of the year also tends to turn into long lists of books with no commentary (particularly once the very-long Locus recommended list starts appearing), adding to the tedium. This collection requires a lot of skimming.

I enjoyed this series of blog posts when they were first published, but even at the time I skimmed the short fiction comments. Gathered in book form with this light of editing, I think it was less successful. If you are curious about the history of science fiction awards and never read the original posts, you may enjoy this, but I would rather have read another collection of straight reviews.

Rating: 6 out of 10

Reviewed: 2023-02-25

Last modified and spun 2024-03-29